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Discussion in 'Testing Forum' started by Nightstalkers, Jan 3, 2007.

  1. Nightstalkers Creature — Nightstalker

    Code:
    %%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
                                         .M                                
                                     .:AMMO:                       
                            .:AMMMMMHIIIHMMM.                      
                  ....   .AMMMMMMMMMMMHHHMHHMMMML:AMF~              
                .:MMMMMLAMMMMMMMHMMMMMMHHIHHIIIHMMMML.             
                     ~WMMMMMMMMMMMMMMMMMMH:::::HMMMMMMHII:.          
                .AMMMMMMMHHHMMMMMMMMMMHHHHHMMMMMMMMMAMMMHHHHL.      
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             .MMMMMMMMMMMMMMMMMMMMMMHHHHHHMHHHHHHIIIIIIIIHMHHHHHM.     
             MMMMMMMMMMMMMMMMMHHMMHHHHHIIIHHH::IIHHII:::::IHHHHHHHL    
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             .MMMMMMMMMMMWWMW   ~~YYHMMMMMMMMMMMMF~~HMMMMMMMMMHHHHHHHH.   
          ____________________________________|  \    \
    function howold ( curyear ) {             // current year passed as arg
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    ssOsss6666666666666666666C6666C6C66CCC6CC66CCCCCCCCC6CC33333333C3333333C
    ~~~~~~~~~~~~~~////////////////////B#####////////////////////////////////
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    >  *      - --------------------------------- -    *
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    >                                |
    > :::::::::::ascii collage machine
    
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    eSeeGeQGSQ^^      ~tOSQQSGGGeSGGGGG~ eeee     ^7/(33CCC%%( ( (    CCC66C
    in conjunction with my mailinglist Palais Tokyo. We received sometimes
    yourhouse = new house( 26, ~Tudor~, 1922, true );
                    _______ _            __ ___  _
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    when the exhibit will be kept open all night long, and its prices reduce
    connotations that people do not like. Which was what I wanted: to
    *****        ********************       ***********
    
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    WWWWWWWWMMMMMMMMMMMBY=:,,,.,,,,:,,=i=IYYYVVVXVYVVVVVVVVVVVVXXXXY+=++===;
    ///.............................................................:::::::
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    There are several things to notice about this object definition. First o
    |_____|_____/|____/|_| \_|      \____/|_|
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                  'MHHII:::....       ...III:...  .IHHHHMMH
    function house( rms, stl, yr, garp ) {
                    X
          ____________________________________|  \    \
                    unsubscribe    
                                                   ::::::::: :::
                                                     :::: :::::
    alGEFCouncilandCEOendorsementa dIFCmanagementapproval.Countryprogramsf
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    MMMMMMMMMHMMMMMMHMMMMMMMMMI:
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    html            hypertext mark-up language
    
    
    ------------------------------------------------------------------------
  2. Nightstalkers Creature — Nightstalker

    Code:
        
    
         \////__________________________________\___\    \
    for my site but it was a story too, I think it's fair enough. People
    left in the mailbox ? at least that?s what I thought. It later turned
                            Sender:         flo-od  -- >
    ........  ........................... ###############...................
    X/////????+=O########NOSX*ONNN########N#S=/---------~~/?+++==*OOOSS#####
                                    \
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                                          |
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                                          v
                                         END
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             +HH#MMMMMMMMMMMMMMMMMMMH#MMMMMMMMMMMMMMMMMMMMMH2               
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    //;////=,,.,,,,,-,-,--,--,----,-::::::::--------=:-:-::-=:-::=:---------
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      01    1  01    1  0  01.  01    1  01    1  0  01
    FM: It could be called this. It is, but I do not like the word poetry. 
                       X
                  X
    SRKRQBQ######R##Q##Ke#BRRSG#e#QQR###SBRBRRRRR#^ (/((~/~/~t(~ GSsSRRBB##e
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                  d8P   `Y88ba.                a8P'~~~~Y88a888P~~~~~~Y88b
       IMMMMHHIIIHHIIHHHHMMMHHHHHHHHIHHHHHII::.         ....  ...:::.
    like that, but after a while I got bored with this strict format. You
    
    > > 
    
    As far as transferable, I am not sure. Once my hate is out th
        ro       o
    
    
    ------------------------------------------------------------------------
    spam-scab by- 24.3.127.50               
    ------------------------------------------------------------------------
    
    
    
                              
    
    
  3. Nightstalkers Creature — Nightstalker

    Code:
        
          $$$$$$~~u$$$$
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    ????~/8N$N8$$###$8SOI=?/~';~?+IO8###NO=~-;-~??/?==?/;-----;~/?+=II*XOO8#
    personal email: if you do this again you're off the list (we both laugh
      \_ | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
    should question their own use of mailinglists. When you write to a list,
                                /::\
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    #B#########BBB#####R#####R#BBRB~//~~      6( t ^ (C //     ^^^/BR#RRB###
        ::::::::::::::.$$$$$$F,$$$$$$$$c`?MMMMMMMP~.$$$$$h.~$$$c            
                                            ^ ^^^^^^^^^^^^^^^///////////////
                         :!!!!!!!!!!!!!!!!!!!!!!!T!!!!:
    WWWWWWWRV+:,,,::;:,:iIIIVXVXVVXRRRXVYYVVI+Y=,.::,.::::,,,...,,::;+YBBMMM
    * Associate HTML tags with HTML objects 
    ********************        ***********************
     __        __/ | | | | | | | | | | | | | | | | | | | | | | | | | | | \__
                      `::::::::::::::::::::::..`'::::::::::::::::::         
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               You may bid for this item as a gift for a friend, but it is i
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              $$$
    K#esRKQQGQGQSKRRBSe#SRRSGSGQSGS#eOS6C%O%7tt77%%C7%%3%73%3%%C%%3C33C%CCCC
               i gotta ask... what prompted you to sell your personal hatred
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    ~~~~~~/////+*$###S############N$8$8SSOOX*II==++++==*OO8$N##$8OOOO8######
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    .
    
                      WON   derful!!!
              o      wond   erful
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             [snip of won   derful
                  8< Snip   wonderful
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    }
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    +++..+%Y000YY2222222$%+...+..
    Y0DU###UYYAQNNNH#QUUAADDDDDD0000YYYY0DD0YY0UNQAAU$             
               sold or transferred? Because of the nature of the product off
               confirm delivery? Further, to comply with all state laws, as 
               contract then a sale of goods, and the contract could last fo
               buyer, a formal writing must be completed for the successful 
               enforceable service contract, pursuant to the statute of frau
               involved hatred services you will provide?
    
               Seller Responds: 
    
               The offer is good for the life of the buyer or seller, whiche
               my hatred if you don't want it, but no refund can be applied.
               another person, it would require my notification of the new b
               change. The same applies to transfer- it must be transferred 
               it is being transferred to.
    
                     X
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    Chapter 2 introduced the extremely useful for statement. The standard fo
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                X___________________________---===================
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    %222%%YDUQQUUUA0+............
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               comfortable hatred from a distance, the kind of hatred that h
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    ------------------------------------------------------------------------
    spam-scb by- 62.96.190.11           
    ------------------------------------------------------------------------
    
                              
    
    
  4. Nightstalkers Creature — Nightstalker

    Code:
        
    
                              ',$$P       ,ggs.     `$$b:
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    **********************************************************
    Dynamic extensions are completely local to a particular instance. The un
    kljljljljlkljk
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              ~~~ MMHI::HY~~ML,          ...     . ..  :~  :HIIIIIILTMH~
    -------------------------------------------------------
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    >  *        -~~~~#~~/ 0~~0~~|~~o~~~ \ ~~OO~ -      *
     e-eno-ohp ru-uo-oh 42 a-a si-i si-ihT  .1869-343-035 # e-eno-ohp lla-aC
                    ~~  ^^//////sss6CGO6OsGGGSQC3%3%C#6sQ%SRs#Ss66CCC((7sGs6
    ++20AD00AUAAADAAD0AUADAAADADDADDYD0D0D00DDDDAUQUUUUAAAAAQUUUUAADY2$$%%%+
    +%2Y00DDDDDDDAADAAAADDY+++...
    ~);
    ***************************************************
    33C3C33%%3%C33O BB### ~s^/ ^/7(^    ( /O    ~ / 7%% OQ/#S ##tBRK C #(C##
                ` **`          ;;;;;;;    .*  
                               .%ANMMMMNNMMMMNQ%.                           
    ...................+ # +++++++++++++++++++++++++++++  ##   .............
    ......................  ................................................
    .............+#+........................................................
    
    
    ------------------------------------------------------------------------
    spam-scab by- 63.102.11.211         
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  5. Nightstalkers Creature — Nightstalker

    Code:
        
    ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
                       X
              /\\\\                                          |
             |  ||||                                         |
              \////__________________________________________|
                     ____
                    /\   \
                   /  \   \
                  /    \   \
                 /      \   \
                /   /\   \   \
               /   /  \   \   \ 
              /   /   /\   \   \
             /   /   /  \   \   \
            /   /   /    \   \   \
           /   /   /      \   \   \
          /   /   /        \   \   \
         /   /   /__________\___\   \
        /   /   /                    \
    ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
    These wings you've stolen are made of glass.
                     | | | | | | | | | | | | | | | | | | | | | | | | |
    
         this.yearbuilt = yr;            // year built
                                    `       #  ;;;     
    
    
    ------------------------------------------------------------------------
    spam-scab by- 24.181.16.240          
    ------------------------------------------------------------------------
                              
    
    
  6. Nightstalkers Creature — Nightstalker

    Code:
        
    µµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµ
                                          |
    //^/^      ~                ^            /KRRR#R#BRR####RQ///~~((((tt77%
    e, f, g, h, i, j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z, b, c, 
    
    f, g, h, i, j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z, b, c, d, 
    
    g, h, i, j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z, b, c, d, e, 
    
    h, i, j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z, b, c, d, e, f, 
    
    i, j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z, b, c, d, e, f, g, 
    
    j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z, b, c, d, e, f, g, h, 
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    §§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§
      This function creates a house instance with a ~show~ method
    */
    
                 .!!!:'   #$$$$$$$$$$$$$$$$$$$$$$X!!!!!!!!.
    The one common case where dynamic extension is extremely useful is in va
    FM: I also closed the list because I think we have done everything that 
                    X
       \   |   \      |
    so called good intentions.
    remember the word. John Alderman asked me to write for (hot)Wired. So,
                             .IBVYi+;;IYX;:it+;;::;iV.
               based entirely on a foundation of trust, which will be set up
      UMMMMMMM%               %NMMMMMHQUUQHNMMMHD.         .2NMMMMMMMH      
    ^/(~3#R3^//^^^//^^^^^^^^^^^^^^^^^                                       
    
                        X
                     'MHHHHHII::...         ...:::::MHHHH
                      | |  | '_  / _   | | / /| '_ | '__|
    (((((((((((((((((((((((((((((((((t~~6##~(((((~~~~~t(~~~~~~~~~~~~~~~~~~~~
    hexane acrylic acid methacrylate ester|+|||||||||||he
                   $MMMMMMMMMMMMMMMM##MMMMMMMMMMMMMMMMMN%                   
                            s wonderful. (B
    
    
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    spam-scab by- 24.181.16.240         
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  7. Nightstalkers Creature — Nightstalker

    Code:
        
    µµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµµ
                                          |
    //^/^      ~                ^            /KRRR#R#BRR####RQ///~~((((tt77%
    e, f, g, h, i, j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z, b, c, 
    
    f, g, h, i, j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z, b, c, d, 
    
    g, h, i, j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z, b, c, d, e, 
    
    h, i, j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z, b, c, d, e, f, 
    
    i, j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z, b, c, d, e, f, g, 
    
    j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z, b, c, d, e, f, g, h, 
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      This function creates a house instance with a ~show~ method
    */
    
                 .!!!:'   #$$$$$$$$$$$$$$$$$$$$$$X!!!!!!!!.
    The one common case where dynamic extension is extremely useful is in va
    FM: I also closed the list because I think we have done everything that 
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    so called good intentions.
    remember the word. John Alderman asked me to write for (hot)Wired. So,
                             .IBVYi+;;IYX;:it+;;::;iV.
               based entirely on a foundation of trust, which will be set up
      UMMMMMMM%               %NMMMMMHQUUQHNMMMHD.         .2NMMMMMMMH      
    ^/(~3#R3^//^^^//^^^^^^^^^^^^^^^^^                                       
    
                        X
                     'MHHHHHII::...         ...:::::MHHHH
                      | |  | '_  / _   | | / /| '_ | '__|
    (((((((((((((((((((((((((((((((((t~~6##~(((((~~~~~t(~~~~~~~~~~~~~~~~~~~~
    hexane acrylic acid methacrylate ester|+|||||||||||he
                   $MMMMMMMMMMMMMMMM##MMMMMMMMMMMMMMMMMN%                   
                            s wonderful. (B
    
    
    ------------------------------------------------------------------------
    spam-scab by- 24.181.16.240           
    ------------------------------------------------------------------------
    
                              
    
    
  8. Nightstalkers Creature — Nightstalker

    Code:
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    \_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/ 
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    /2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\
    \_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/ 
    /2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\
    \_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/ 
    /2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\
    \_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/ 
    /2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\_/2\
    
  9. Nightstalkers Creature — Nightstalker

    Code:
        
    eeoe
    >>>>
    >>>>
    >>>> what
    **** Command 'what' not recognized.
    >>>>
    >>>>
    >>>> why
    **** Command 'why' not recognized.
    >>>>
    >>>>
     
    eeoe
    
                              
    
    
  10. Nightstalkers Creature — Nightstalker

    Code:
        
        |                                                                                             |                     
        |---------------------------------------------------------------------------------------------+---------------------
        |Refresh: ../-.html                                                                           |su-ub  |asco-o       
        |                                                                                             |fo-ow  |             
        |                                                                                             |---------------------
        |+-----------------------------------+                                                        | Refresh: u-u.html   
        ||I10232:WilliamLEE(23DEC1832-18JAN19|                                                        |                     
        ||16)WilliamLEEBIRTH:23DEC1832DEATH:1|                                                        |-06.02.08-21.50.42   
        ||8JAN1916BURIAL:ForestLawnCem.,LosAn|                                                        |-06.02.07-12.27.47   
        ||geles,CaliforniaREFERENCE:RIN:10232|                                                        |-06.02.02-16.59.34   
        ||Family1:SarahCatherineHARDINMARRIAG|                                                        |-06.02.02-13.00.14   
        ||E:30MAR1862____|||__||--WilliamLEE||                                                        |-06.02.01-21.00.29   
        |||__|__||__INDEXNotes!BIR-MAR-DEATH:|                                                        |-06.02.01-01.34.58   
        ||HardinBook;ByRobertAllenHardin;Pg10|                                                        |-06.01.25-19.58.50   
        ||7;Pub1968;UnivofOK,Norman,OK;AllenC|                                                        |-06.01.22-13.50.23   
        ||ountyLibrary,FortWayne,IN;929.2W692|                                                        |-06.01.03-00.05.19   
        ||02b.CreatedbyGED2HTMLv2.4a(11/18/95|                                                        |-06.01.01-04.01.14   
        ||)onWedNov2911:53:031995I303:LelaMar|                                                        |-05.12.30-13.02.20   
        ||ieLEGORE(ABT1880-)LelaMarieLEGOREBI|                                                        |-05.12.29-14.07.10   
        ||RTH:ABT1880REFERENCE:RIN:303Father:|                                                        |-05.12.29-14.06.19   
        ||RobertLEGOREMother:MargaretK.WILLSO|                                                        |-05.12.28-00.00.30   
        ||N___________________RobertLEGORE___|                                                        |-05.12.27-23.14.58   
        ||____|||__________________||--LelaMa|                                                        |-05.12.14-00.05.58   
        ||rieLEGORE||_JohnW.WILLSON_|_Margare|                                                        |-05.12.10-11.16.05   
        ||tK.WILLSON_||_SarahHEAD______INDEXN|                                                        |---------------------
        ||otes!IsaacWilsonandSomeofHisDescend|                                                        |spa-am v9 v8 v7      
        ||ants,afamilystory;Inthepossessionof|                                                        |v6 v5 v4 v3 v2 v1    
        ||RichardS.Wilson.CreatedbyGED2HTMLv2|                                                        |---------------------
        ||.4a(11/18/95)onWedNov2911:53:031995|                                                        |x-ap-p               
        |+-----------------------------------+                                                        |cha-at               
        |                                                                                             |asc4-4               
        |---------------------------------------------------------------------------------------------+---------------------
        |                                                                                             |                     
    asco-o:
    
                              
    
    
    
    
  11. Nightstalkers Creature — Nightstalker

    Code:
        
    <------------------------------------------------------------------------->
    
    
             ,__                                                  _,
           \~\|: ~~---___              ,                          | \
            |:::   / |  *Lyon~~~|~~~~~| *Zagreb                 _/,  >
           /~-_--*Bordeaux      | *Venice   / ~\~~/          /~| ||,'
           |       /  \   *Marseille---| *Belgrade/~)     __*Yalta_\,
          /       |    |~~~~~~~~|     :\    \   |:|:'~\  |_____,|~,-'
          |~~--__ |    |::::::::|__   :|~~~~~*Sofia__:/_-':::::{,~
          |   |  ~~~|~~|::: ::::| *Rome\::   /  `*Istanbul_____{/
          |   |     | *Barcelona-,:    :\----| ::|  |  ,'*Ankara`
          ',  \*Madrid:::|: :::::|~~~~~~~|:::*Athens'~~\  /    |
           |   \    |::::|:::::::|::     |:::::\_-~::::/`~___--\
           ',   \  ,-----|--*Tunis-------'_____/__----~~/::    /
            '_   '\|    *Algiers|~~~|:::::|::::|::::::_/-,~~*Beirut
              \*Gibraltar|      |   *Tripoli:::/~~|~~\::::\,*Jerusalem
               ~~~-'     |      |     `~~~\___|   |   *Alexandria
                   '-,_  | _____|          |  /   | ,-'-*Cairo
                       `~'~  \             |  `--,~~~~-~~,  \
                              \/~\      /~~~`---`         |  \
                                  \    /                   *Luxor
                                   \  |                     '\'
                                    `~
    
    
    
    elsewhere: 
    
    
        _    _    _    _    _    _    _    _    _    _
       / \  / \  / \  / \  / \  / \  / \  / \  / \  / \
      ( a )( n )( d )( e )( r )( n )( o )( r )( t )( s )
       \_/  \_/  \_/  \_/  \_/  \_/  \_/  \_/  \_/  \_/
    
    
    artists "there":
    invited by kuenstlerbund e.v.
    
    
                                 Thomas Bernstein, Düsseldor (D)
                                  Daniel Bräg, München (D)
                                  Stefan Demary, Düsseldorf (D)
                                  Herbert Egl, Stuttgart (D)
                                  Jo Heijnen, Madrid (E)
                                  Mario Hergueta, Mainz(D)
                                  Monica und Bernard Hubot,
                                  Lustin (B)
                                  Ellen Hyllemose, Kopenhagen
                                  (DK)
                                  Sigrun Jakubaschke, Hamburg
                                  (D)
                                  Ivan Kafka, Prag (CZ)
                                  Susanna Kallisch, München (D)
                                  Peter Martensen, Hellerup (DK)
                                  Vittorio Messina, Rom Italien
                                  Julia Neuenhausen, Berlin (D)
                                  Peter Pommerer, Stuttgart (D)
                                  Werner Reiterer, Wien (A)
                                  Yvonne Rothe, Mainz (D)
                                  Judith Samen, Düsseldorf (D)
                                  Jan Schmidt, Frankfurt (D)
                                  Isabel Schmiga, Berlin (D)
                                  Renata Stih & Frieder Schnock,
                                  Berlin (D)
                                  Nicola Torke, Hamburg (D)
                                  Jean-Pierre Uhlen, Limoges (F)
                                  Barbara Wille, Berlin (D)
                                  Piotr Zamojski, Düsseldorf (D)
    
    
    artists "elsewhere":
    invited by
    mario hergueta
    
                                 Lew Baldwin, USA
                                 FAKESHOP, USA
                                 Valery Grancher, F
                                 etoy.HANS
                                 Yael Kanarek, USA
                                 Takuji KOGO, JAPAN
                                 Tina LaPorta, USA
                                 Jan Robert Leegte, NL
                                 LFOUNDATION, NL
                                 Gerhard Mantz, Germany
                                 Antonio Mendoza, USA
                                 Messieurs Halgand, F
                                 mi_ga, Lit
                                 Mouchette, NL
                                 Jogchen Niemandsverdriet, NL
                                 PAVU.COM, F
                                 Teo Spiller, USA
                                 SPIV, Germany
                                 ZDEN SK
    
    
    
    more info: 
    
    
        _    _    _    _    _    _    _    _    _    _
       / \  / \  / \  / \  / \  / \  / \  / \  / \  / \
      ( a )( n )( d )( e )( r )( n )( o )( r )( t )( s )
       \_/  \_/  \_/  \_/  \_/  \_/  \_/  \_/  \_/  \_/
    
    
    
    <------------------------------------------------------------------------->
    
                              
    
    
    
    
  12. Nightstalkers Creature — Nightstalker

    Code:
        
    mailia is home schooled but attends public school in the sence that our school district is required to provide her tutoring
    mailia is a female aerial elf mage
    mailia is so happy to see this
    mailia is the place to be
    mailia is the director of the lloyd greif center for entrepreneurial center at the marshall school of
    mailia is that an election to determine voter support is not an option for this type of project
    mailia is a father himself
    
                              
  13. Nightstalkers Creature — Nightstalker

    Code:
        
        (START HERE)            results() .-----------------.
              \                 .-------->| MIME::          |
               .-----------.   /          | Parser::Results |
               | MIME::    |--'           `-----------------'
               | Parser    |--.           .-----------------.
               `-----------'   \ filer()  | MIME::          |
                  | parse()     `-------->| Parser::Filer   |
                  | gives you             `-----------------'
                  | a...                                  | output_path() 
                  |                                       | determines
                  |                                       | path() of...
                  |    head()       .--------.            |
                  |    returns...   | MIME:: | get()      |
                  V       .-------->| Head   | etc...     |
               .--------./          `--------'            |
         .---> | MIME:: |                                 |
         `-----| Entity |           .--------.            |
       parts() `--------'\          | MIME:: |           /
       returns            `-------->| Body   |<---------'
       sub-entities    bodyhandle() `--------'
       (if any)        returns...       | open()
                                        | returns...
                                        |
                                        V
                                    .--------. read()
                                    | IO::   | getline()
                                    | Handle | print()
                                    `--------' etc...
  14. Nightstalkers Creature — Nightstalker





    BBBBMMBBMMMMMMMMBBBBBMBBMMMMBBBRXYi:,,,:iVXXVXXWRRRBBRBBBRMBRBBBRRBMMMMMMMMM
    BBMMMMBBBMMMMMMMBBBMMMBBMMMMBBRXt:,..:,:tYIIYIVXVYVXVXBRWYWRBRBMMBMMMMMMMMMM
    MMMMBMMMMBBBBMMMBBBBBBBMMMMBRXVi:,,.,.,;itiiItIY+iiIIIVXXVXYXRRBMMMMMMMMMMMM
    MMMMMMMMBBBMMMMBBBBBBBBBMMBWIt+:,,..,.::++itt+t++i++iItIYXWXXWWBMMMMMMMMMMMM
    MMMMMMMMMMMMMBRBBRBBBRBBMMBWi+,,.....,:,;+iI;ti+++:+IYItVWRBBBBBMMMMMMMMMMMM
    MMMMMMMMMMBBBBBBRRBBBMBBMMRWX;......,,..+iII++ti;.,tVXVIXRBBBMMMMMMMMMMMMMMM
    BMMMMMMMMMBBBBBMBRBRWXWWBMRIYX;......,..+tVIi;I;, ,VVXVYWRBMMMMMMMMMMMMMMMMM
    BMMMBMMMBMMBBBBMMBXVXXWBWXI+;IY;,.....,.:iVYtiI:...VVVXIWWBMMMMMMMMMMMMMMMMM
    MMMMMMBBBMMMMBMMWYItiiIIII+:,:iY:.....,,,+tXtit:...IVVVIVRBMMMMMMMMMMMMMMMMM
    MMMMMMBBMMMMBBBWYii+;+iIXY+:::;t+.. ..,,;:IVti+..,;VVVIYRBBMMMMMMMMMMMMMMMM
    BBMMMBBBBMBBBBBVt++;+i;iYWXXYIIi;. ..,,:;i+IYIt,.,:iVVYtWBBMMMMMMMMMMMMMMMM
    MMBMMMMMMBRBBBRYi+;;t;;::;++i+ti,. .,:;;itYVWWYI,..:tYVVXRBMMMMMMMMMMMMMMMM
    BBBMMBMMBBRBBBRVt+;t+;::::,:+ii, .,;ii+;;;;+IXWWti::ttVXWRBMMMMMMMMMMMMMMM
    BRMMMBRMMBRRRBBWIi+I;,:::;;it+. ..,::::i+:,,,,,;tYYIIItIYXXWBMMMMMMMMMMMMMM
    BBMMMBRMMMMBRBBBXItY:,,,:+tt:. ....,,,,it;,...,,,,:;++tYti;;+tRMMMMMMMMMMMMM
    MMBBBBBMMMMRRBBMRVYV;:::;i+, .......,,iY+,,,,,,,,:::;ii;:,,,:VBMMMMMMMMMMMM
    BMBBRRBBBBBBBBMMMWXWi::;;,. .........,:tYVt+::;;;::,::,,,,,:;tBMMMMMMMMMMMM
    BBBBBRBBBRBBMBMMMBRRt;;+,. ..,,,... ...,,;IIIt;,,,,.....,,:+iIXBMMMMMMMMMMM
    RRBMMBRRRBRBBBBMMMMBI+;I:....,:,,... .......,. ....,,:;+tIIVWBBMMMMMMMMM
    RRBBBMMMBRBBBRRMMMMMXi;iY++i;:,,:,.. .... ...,:;+tIVVYtIVWRBMMMMMMM
    MBBBRMMBBBBBRWRBMMMMWi;:,+i+i+;;;,... ..,:;+itYVYi:+,.;tXMMMMMMM
    MBBBRMBBRRRRBRRRBMMMRY+,....,,,,,.... .....,,:+itIYXt::++:,.+BMMMMMMM
    BBRBMMBBRRBRRRRBMMMMBRWt:,............. .....,,:;+itYVX+:;,.,::IMMMMMMMMM
    BBBMMMMBBBRRRRRBMMMMXVXVVY+,..................,,::;+iIVXRXYt;:i:YWMMBMMMMMMM
    MBMBRRRBBMMBBBMMMBWXYt+;;tYY;,,,,,,,,,,,,,,,,,:;;+iIVVXWIitVWWRBBBRRBBMMMMMM
    MMMBBRBBBMMBRBBBWVtii++;:,,;II+;;::::;:::::;;;+itIYYYXXt++iiiYXXRRWVXWRBMMMM
    MMMMBRRRBBBRRRWVttii++;;;;:;+tWYi+;++;;;;+++ittIIIIVWY+;;++itYWWBRVtIYWWBBMM
    BBMMBBMMBRRRXYYIiii++ii+++++tVXVi+++++++iiittttIYXWRI+;;;;;tIWWXRXItIIIYXBMM
    MBRBMMMBRVVYYttti++;i+itt+itYYt+;+++++++iiittIVWWBXtii++++iIWRWXWYIItYVRMMMB
    RRRBMBBWYYYIti++++++iitIIYIVVI+;;;;++++++iitYWBMBXYYItiittIVRWYitXRBBMMMMBBW
    RBMBBXYtIYIi++;::,:itttIIVWXti+iiii+++++iIXRMMMMBRWXVVVVVVXWWVYItii+iYYIi+;;
    BBMXYIttii+++;;:,:+itIYYWWtiiiiii+iitIVWBMMMMMMMMMMMBBBRRWXXXYYIttii+;:,..,,
    MBItttti+i+;::;:;ittIYXRMRXXVVVVXWRBMMMMMMMMMMMMMMMMMMBBBRRWXVYYIIttti+:,,..
    RVittti;;;::::,:itIYVWMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMBWWWWWWXVYYIIIIIti;:,.
    WVYtt+i;;:::::;itIVXRMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMBWXXXVVVYYIItttIIt+;,
    WWXVIi+i;;:;;itIVXRBMMMMBRRBMMMMMMMMMMMMMMMMMMMMMMMMMMMMMRXXVVVVYYIItiiiii+;
    RRWXYtii;;;itYXXRMMMMWYYWVi+IWBBBMMMMMMMMMMMMMMMMMMMMMMMMMBWXXVYVVYIti++++++
    RRWXVVIYtitYXWRBMMMBY+;YYtittVRRBMMMMMMMMMMMMBBMMMMMMMMMMMMRWXXVVVVYtti++++;
    BRWXXXVVtYVWBBBRWRRYttIVIiiYVVVWMMMMMMMMMMMMMMMMMMMBRBMMMMMBRWWXXXXYIttii++;
    RBRRWWWWWWRBBBBRRWRWYiiiYitVI+;;YMMMMMMMBBBBRRRWBBBRRRBMMMMMBRWWWWXVYIIttii+
    XWRBBBBBBBBBBBBBRRWWItiiIVXY++;;+VMMRWWRRRBRWWWRMMBRWWWBMMMMMRRWWWWXVYYIttii
    XWRRBBBBBBBMBBBBBRX+iIYVWWWXI+;++tXMBRRRRMMMMBRWRBMMMBRRBMMMMMBRWWWXXXVYItii
    XWWWWRBBMBMMBBBRBRXYYYIYYYYVYtitIIVRMBBBMMMMMMRRRRBMMMMBRBMMMMMBRWWWXXWVItti
    XXVVXWBMMBMMMBBBBBBBRWXVYYItYVVXXWXWBBRRBMMMMBBBBBBRRBMBRBMMMMMMMRRWWWWXYItt
    VVVVWWWBBMMMMBMBBBBMMMMBXVYYYYYYIYXRBBBWRRBBRBBBBBRRRRRBRRBMMMMMMMBRRRRWXVYI
    IIVYXWWRBMMMMMBBRBMMMMMMMMBVVVYItttWBBRWVVWRBMMMMRRBRRBBBBBBBBMMMBRRRBBRWWXY
    IiIYXWXRRBBMBBWVYIIVIIIIYWXi++iittVRBBRWXYYVXBMRRBBBBBBBBRRRWWWRBBBRRRBBRRWX
    iitYVVXXRBBMBBXVYYVVItIIIIIIYItitYWRBBBRXVYXXWMRXXWWRWRRRWWWWWWWBBBBBBBBBRRR
    itttIXXXRRBBBMBBBRBRWXXVYYIIIYYttIXRBBBRXXXWXRMBXWWWWWXXWWWWWXXXRRBBBBBBBBBR



  15. Nightstalkers Creature — Nightstalker

    Code:
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized request field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Truncating oversized referrer field
    Warning: Invalid keyword 'DNSCache' (/etc/webalizer.conf)
    Warning: Invalid keyword 'DNSChildren' (/etc/webalizer.conf)
    
                              
    
    
  16. Nightstalkers Creature — Nightstalker

    Code:
        
    Response Code: 	206
    SSL Cert: 	No valid SSL on this Host, Get Secure
    Alexa Trend/Rank: 	The lower the rank the better. 0 (1 Month)   2,286,821 (3 Month)
    DMOZ Directory: 	Publications_and_Media
    DMOZ Title: 	asco-o
    DMOZ Description: 	Web archived ASCII art mailing list.
    Website Status: 	Active
    Reverse IP: 	Web server hosts 15 websites (reverse ip tool requires free login)
    Server Type: 	Apache/2.0.53 (Unix) PHP/4.3.10
    (Spry.com also uses Apache)
    IP Address: 	217.160.178.83 (ARIN & RIPE IP search)
    IP Location: 	- Schlund + Partner Ag
    Blacklist Status: 	Clear
    Cached Whois: 	Cached today
    Whois History: 	2 records stored
    Record Type: 	Domain Name
    Monitor: 	Monitor or Backorder
    Wildcard search: 	'asco-o' or 'as co' in all domains.
    Other TLDs: 	
    .com	.net	.org	.info	.biz	.us
    X 						[5 available domains]
    Name Server: 	XXIV.ISNM.UNI-LUEBECK.DE
    ICANN Registrar: 	GO DADDY SOFTWARE, INC.
    Created: 	2000-08-14
    Expires: 	2006-08-14
    Status: 	REGISTRAR-LOCK
    
  17. Nightstalkers Creature — Nightstalker

    Code:
        
    asco-o:
    Art's not empty if it shows its own emptiness." — Allen Ginsberg
    
    "Every time I write something, I have the impression of making a beginning . . ." — Jacques Derrida
    
    "The poem intends another, needs this other, needs an opposite. It goes toward it, bespeaks it. For the poem, everything and everybody is a figure of this other toward which it is heading." — Paul Celan (translated by Rosmarie Waldrop)
    
    
    1985-1986
    
    UNTITLED DETAILS I for piano
    
    Six Instruments
    
    String Quartet [I]
    
    Variations for tape machines, modified piano (body) and percussion
    
    
    1986
    
    I did it for miscellaneous number of tape machines
    
    I am motionless for miscellanArt's not empty if it shows its own emptiness." — Allen Ginsberg
    
    "Every time I write something, I have the impression of making a beginning . . ." — Jacques Derrida
    
    "The poem intends another, needs this other, needs an opposite. It goes toward it, bespeaks it. For the poem, everything and everybody is a figure of this other toward which it is heading." — Paul Celan (translated by Rosmarie Waldrop)
    
    
    1985-1986
    
    UNTITLED DETAILS I for piano
    
    Six Instruments
    
    String Quartet [I]
    
    Variations for tape machines, modified piano (body) and percussion
    
    
    1986
    
    I did it for miscellaneous number of tape machines
    
    I am motionless for miscellaneous ensemble | CD (in preparation)
    
    The Animal that Cleans Itself for 1 to 30 singer/s and 4 tape machines
    
    Collaborates with George Koehler, multi-lingual music-theater piece, based on Shakespeare-cut-ups thaArt's not empty if it shows its own emptiness." — Allen Ginsberg
    
    "Every time I write something, I have the impression of making a beginning . . ." — Jacques Derrida
    
    "The poem intends another, needs this other, needs an opposite. It goes toward it, bespeaks it. For the poem, everything and everybody is a figure of this other toward which it is heading." — Paul Celan (translated by Rosmarie Waldrop)
    
    
    1985-1986
    
    UNTITLED DETAILS I for piano
    
    Six Instruments
    
    String Quartet [I]
    
    Variations for tape machines, modified piano (body) and percussion
    
    
    1986
    
    I did it for miscellaneous number of tape machines
    
    I am motionless for miscellaneous ensemble | CD (in preparation)
    
    The Animal that Cleans Itself for 1 to 30 singer/s and 4 tape machines
    
    Collaborates with George Koehler, multi-lingual music-theater piece, based on Shakespeare-cut-ups that also cont
    I did it for miscellaneous number of tape machines
    
    I am motionless for miscellaneous ensemble | CD (in preparation)
    
    The Animal that Cleans Itself for 1 to 30 singer/s and 4 tape machines
    
    Collaborates with George Koehler, multi-lingual music-theater piece, based on Shakespeare-cut-ups that also contains aleatoric music utilizing cut-up motifs from Elizabethan ains aleatoric music utilizing cut-up motifs from Elizabethan sources
    
    
    
    t also contains aleatoric music utilizing cut-up motifs from Elizabethan sources
    
    
    
    eous ensemble | CD (in preparation)
    
    The Animal that Cleans Itself for 1 to 30 singer/s and 4 tape machines
    
    Collaborates with George Koehler, multi-lingual music-theater piece, based on Shakespeare-cut-ups that also contains aleatoric music utilizing cut-up motifs from Elizabethan sources
    
    
    
    
                              
    
    
  18. Nightstalkers Creature — Nightstalker

    Code:
        
    
    	Date: 6.29.2001
    From: Mark Tribe (mark@rhizome.org) and Alex Galloway (alex@rhizome.org)
    Subject: Net Games Now
    Keywords: game, exhibit
    Types: statement
    Names: etoy, Lonnie Flickinger, Warren Spector, Anne Marie Schleiner, Mongrel, Eric Zimmerman, mark tribe, alex galloway, Eryk Salvaggio, M.River & T.Whid Art Associates
    Places: USA, north adams, MASS MoCA
    Titles: Trigger Happy, toywar, net_condition, cracking the maze, sissyfight, BlackLash, intruder, SOD, pencil whipped, Jackpot, 7-11, rhizomeRaw, asco-o
    Categories: exhibition, historical
    
    [This essay was written for "Game Show," an exhibition at MASS MoCA in 
    North Adams, Massachusetts (USA). Mark Tribe and Alex Galloway curated 
    the online portion of the show, selecting the five works listed below. 
    Game Show is on display through Spring 2002.]
    
    + + +
    
    Did you know that at any given moment in the year 2001, all around the
    world, close to thirty thousand people will be playing the same computer
    game? EverQuest is an on-line role-playing adventure game, "a real 3-D
    massively multiplayer fantasy role-playing game," according to its
    creators. An on-line world filled with monsters and humans, complex
    economies and social politics, EverQuest was developed by Sony and is
    one of the most popular games in the history of computing, on par with
    other megagames such as Ultima Online and Sim City. Players often band
    together in groups to increase their chances of survival. Many are
    already referring to the game as "EverCrack" because of its addictive
    qualities, with some players devoting most of their waking hours to the
    game. EverQuest Enchanters and other sought-after characters routinely
    sell for hundreds of dollars on eBay.
    
    Game culture is big business. First-person shooter video games such as
    Quake, Deus Ex (created by game guru Warren Spector), and the wildly
    popular Half-Life have established the long-term legitimacy of gaming,
    maturing from its roots in the run-and-jump "side-scroller" console
    games of the 1980s. In 2000 the gaming industry surpassed Hollywood in
    gross annual revenues to become the second largest entertainment
    industry after music in the United States.
    
    Net artists have their own statistics to brag about. In December 1999,
    etoy, a European art group, staged a two-month global art game called
    Toywar ([url]http://www.toywar.com[/url]), which is described by the artists as
    "the single most expensive performance in art history: $4.5 billion in
    damage!" In 1999 etoy was sued by Internet toy retailer eToys, which
    claimed that Internet toy buyers might be confused and potentially
    offended by the artists' web site (a work of art itself) if they typed
    "etoy" rather than "etoys" into their Internet browsers. Because the
    artists had been using the name well prior to the toy retailer, many in
    the art world were angered by the lawsuit. In response to the lawsuit,
    etoy created Toywar, an on-line gaming platform playable simultaneously
    by multiple users around the world. The goal of the game was to wage an
    "art war" against eToys, Inc., and drive down the value of the company's
    stock. As the etoy press agent wrote in December 1999: "We will release
    an action entertainment game. People are part of a huge battlefield,
    where they can fight against eToys, Inc." The Toywar battlefield was a
    complex, self-contained system, with its own internal e-mail, monetary
    system, social actors, geography, hazards, heroes, and martyrs. In the
    first two weeks of the game, eToys's stock price fell more than 50
    percent. The corporate efficiency and energy of etoy--who would rather
    disband than part with its dot-com domain name, the core of its artistic
    identity--was directed at another commercial entity, creating what
    indeed may have been the most financially damaging performance piece in
    the history of art. Money aside, Toywar was certainly the first epic Net
    art project. It was big and exciting. Players in Toywar felt like real
    soldiers with a cause, participating in an effort that was meaningful,
    new, and fun.
    
    Role-playing, spoofing, and general chicanery are par for the course on
    Net art e-mail lists like 7-11, asco-o, and Rhizome Raw. Often, artists
    invite others to play along with their participatory art games. In 1997,
    M.River & T.Whid Art Associates (MTAA) started a participatory game
    called Direct to Your Home Art Projects. Each month, MTAA would e-mail
    to participants a set of instructions for activities that could be done
    at home, often involving a computer. The "players" were to follow the
    instructions, document their actions, and e-mail their documentation
    back to MTAA. MTAA, in turn, acknowledged each piece of documentation as
    an "edition" of the overall artwork by sending participants certificates
    of authenticity for their contributions.
    
    In a similar piece, Eryk Salvaggio posted seven installments of his Free
    Art Games on e-mail lists, inviting his readers to perform a series of
    free, fun activities. Free Art Game #4 offered instructions on how to
    "Start your career as a Net artist." The sixth game, The Slowest Modem,
    gave specifications on a 0.00243809523809 kb/s modem created by snail-
    mailing data on diskettes rather than via the Internet.
    
    The general buzz around artist-made games solidified in 1999 with Anne-
    Marie Schleiner's on-line exhibition Cracking the Maze
    ([url]http://switch.sjsu.edu/CrackingtheMaze/[/url]). Schleiner was particularly
    interested in "mods," "patches," and other game hacks. Mods and patches
    are custom versions of video games that feature graphics, scenarios, and
    other modifications created by players of the original games. As
    Schleiner wrote, "Game-patching in the 1990s has evolved into a kind of
    popular hacker art form, with numerous shareware editors available on
    the Internet for modifying most games." Her exhibition chronicled many
    of the original artist hacks, such as RTMark's now legendary
    modification of the game SimCopter.
    
    Like many other artist-created games, BlackLash, from the British group
    Mongrel, adds a layer of political critique to a familiar game
    structure. In BlackLash, the player must fight back against swastika-
    bearing spiders and hooded Ku Klux Klan members. Part video game, part
    social commentary, BlackLash illustrates the drama of political activism
    in a fun, computer game format. SiSSYFiGHT 2000 by Eric Zimmerman (with
    the staff of Word.com) is a slick on-line game that lets users don the
    identities of bratty schoolgirls, each trying "to physically attack and
    majorly dis [their] enemies until they are totally mortified beyond
    belief." Though hilariously funny, the game takes a hard look at the
    real peer pressure faced by adolescent girls. The game has more than one
    hundred "girls" playing on the site at any given moment.
    
    During the "net_condition" exhibition at the ZKM in Karlsruhe, Germany,
    a group called "esc to begin" created Font Asteroids, a game based on
    the arcade classic Asteroids. First the user selects a web site. Then
    the text from the web site provides interplanetary debris that must be
    destroyed. Also riffing on old-school video game aesthetics, a duo from
    Beige Records has released a vinyl 12-inch called "8-bit Construction
    Set." Among the many squiggles, beeps, and other audio samples taken
    from old Atari and Commodore computers, the record preserves the actual
    source code from old games in audio format, just as the original
    hardware did using a tape drive. Though the analog hiss may make for bad
    listening, it does make for good art--like a computerized ready-made.
    
    Is there a difference between games and art? We might be wise to take
    the advice of leading game designer Warren Spector when he tells us to
    "run in terror from any game developer who says 'I'm an Artist!'" When
    an artist says "I'm a game developer," however, run, don't walk, to the
    nearest computer.
    
    + + +
    
    The following games are included in the online portion of Game Show:
    
    The Intruder
    Natalie Bookchin
    [url]http://calarts.edu/~bookchin/intruder[/url]
    
    Jackpot
    Maciej Wisniewski
    [url]http://adaweb.walkerart.org/context/jackpot[/url]
    
    Pencil Whipped
    Lonnie Flickinger
    [url]http://www.maxminn.com/chiselhead/pw.html[/url]
    
    SOD
    Jodi
    [url]http://sod.jodi.org[/url]
    
    Trigger Happy
    Thomson & Craighead
    [url]http://www.ucl.ac.uk/slade/slide/th/title.html[/url]
    
    + + +
    
    
    
    [url]http://www.massmoca.org/[/url]
    [url]http://www.toywar.com[/url]
    [url]http://switch.sjsu.edu/CrackingtheMaze/[/url]
    [url]http://calarts.edu/~bookchin/intruder[/url]
    [url]http://adaweb.walkerart.org/context/jackpot[/url]
    [url]http://www.maxminn.com/chiselhead/pw.html[/url]
    [url]http://sod.jodi.org[/url]
    [url]http://www.ucl.ac.uk/slade/slide/th/title.html[/url]
    
    
                              
    
    
  19. Nightstalkers Creature — Nightstalker

    Code:
        
    @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
    @    WARNING: REMOTE HOST IDENTIFICATION HAS CHANGED!     @
    @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
    IT IS POSSIBLE THAT SOMEONE IS DOING SOMETHING NASTY!
    Someone could be eavesdropping on you right now (man-in-the-middle attack)!
    It is also possible that the RSA host key has just been changed.
    The fingerprint for the RSA key sent by the remote host is
    48:cc:c3:9c:fc:6b:d0:d1:f2:5c:38:37:cd:2b:8e:6e.
    Please contact your system administrator.
    Add correct host key in /root/.ssh/known_hosts to get rid of this message.
    Offending key in /root/.ssh/known_hosts:3
    RSA host key for o-o.lt has changed and you have requested strict checking.
    Host key verification failed.
    rsync: connection unexpectedly closed (0 bytes read so far)
    rsync error: error in rsync protocol data stream (code 12) at io.c(342)
    @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
    @    WARNING: REMOTE HOST IDENTIFICATION HAS CHANGED!     @
    @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
    IT IS POSSIBLE THAT SOMEONE IS DOING SOMETHING NASTY!
    Someone could be eavesdropping on you right now (man-in-the-middle attack)!
    It is also possible that the RSA host key has just been changed.
    The fingerprint for the RSA key sent by the remote host is
    48:cc:c3:9c:fc:6b:d0:d1:f2:5c:38:37:cd:2b:8e:6e.
    Please contact your system administrator.
    Add correct host key in /root/.ssh/known_hosts to get rid of this message.
    Offending key in /root/.ssh/known_hosts:3
    RSA host key for o-o.lt has changed and you have requested strict checking.
    Host key verification failed.
    rsync: connection unexpectedly closed (0 bytes read so far)
    rsync error: error in rsync protocol data stream (code 12) at io.c(342)
    @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
    @    WARNING: REMOTE HOST IDENTIFICATION HAS CHANGED!     @
    @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
    IT IS POSSIBLE THAT SOMEONE IS DOING SOMETHING NASTY!
    Someone could be eavesdropping on you right now (man-in-the-middle attack)!
    It is also possible that the RSA host key has just been changed.
    The fingerprint for the RSA key sent by the remote host is
    48:cc:c3:9c:fc:6b:d0:d1:f2:5c:38:37:cd:2b:8e:6e.
    Please contact your system administrator.
    Add correct host key in /root/.ssh/known_hosts to get rid of this message.
    Offending key in /root/.ssh/known_hosts:3
    RSA host key for o-o.lt has changed and you have requested strict checking.
    Host key verification failed.
    rsync: connection unexpectedly closed (0 bytes read so far)
    rsync error: error in rsync protocol data stream (code 12) at io.c(342)
    
    
    
                              
  20. Nightstalkers Creature — Nightstalker

    Code:
        
    l ===                   Disks and File Systems (www) (1)                       k                
    xFl                                Note (www)                                k x                
    x xlqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqk x x                
    x xx The command used to retrieve information about HP SureStore           ^ x x  
    xNxx VirtualArray has failed.  The stderr is shown below.                    x x                
    xqxx                                                                         xqx                
    xFxx                                                                         xdx                
    xqxx INVALID ARRAY ID                                                        xqx                
    x xx                                                                         x x  
    x xx                                                                         x x  
    xlxx armdsp Usage:                                                           x x                
    xxxx                                                                         x x  
    xxxx armdsp { -a [-r] | -c [<FruLocation>] | -d [<FruLocation>] |            x x  
    xxxx          -e [<FruLocation>] | -f | -L [LUN] [-r] | -p [<FruLocation>]   x x  
    xxxx |                                                                       x x  
    xxxx          -s | -t } <array-id>                                           x x  
    xxxx armdsp { -i [<HostAddr>] }                                              x x  
    xxxx armdsp <array-id>                                                       x x  
    xxxx armdsp   -?  Display extended help message.                             x x  
    xxxx                                                                       v x x  
    xxxqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqx x  
    xmx                                [[ OK    ]]                               x x  
    
                              
    
    

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